WAYLON JENNINGS & JESSI COLTER – “Hee Haw” (televised Feb 26, 1972)

WAYLON JENNINGS & JESSI COLTER – “Hee Haw” (televised Feb 26, 1972) In the pantheon of outlaw country music, few names resonate as powerfully as Waylon Jennings and Jessi Colter. Their legendary appearance on “Hee Haw” on February 26, 1972, is a testament to their enduring influence and charisma. Now, with the release of the NEW DES MIX 2023, fans new and old can experience the raw, unfiltered magic of this iconic duo like never before. Waylon Jennings and Jessi Colter, both individually and collaboratively, broke the mold of country music, rejecting Nashville’s polished veneer for a grittier, more authentic sound. This performance is a snapshot of that rebellion, a moment in time when music was more than just sound—it was a statement. This 2023 remaster of “Hee Haw” is more than just a nod to nostalgia; it’s a vivid reminder of why Waylon Jennings and Jessi Colter remain central figures in the outlaw country genre. The NEW DES MIX enhances the original recording with a clarity that highlights the intricate guitar riffs of Jennings and the soul-stirring vocals of Colter. Their chemistry is palpable, a fire that burned bright on stage and set a precedent for couples who rock the country scene. The performance captures Waylon’s rugged, almost defiant stage presence, while Jessi’s voice weaves effortlessly through the melodies, creating a harmonious blend that is both electrifying and soothing. For those who have yet to witness the magic of Waylon Jennings and Jessi Colter’s “Hee Haw” performance, the NEW DES MIX 2023 offers a perfect introduction. The mix respects the integrity of the original while introducing subtle enhancements that modernize the experience without losing its vintage charm. It’s a delicate balance, but this remaster hits the mark, offering a soundscape that’s both fresh and evocative of its time. Waylon Jennings and Jessi Colter’s collaboration on “Hee Haw” is a masterclass in musical synergy. Their performance isn’t just a relic of the past; it’s a living, breathing testament to the power of genuine artistry. The NEW DES MIX 2023 revitalizes this classic moment, ensuring that its impact resonates with today’s listeners just as it did over half a century ago. Final Verdict The 2023 update of Waylon Jennings and Jessi Colter’s “Hee Haw” performance is a triumph, breathing new life into a timeless classic. It stands as a bold reminder of what outlaw country music is all about: authenticity, passion, and the relentless pursuit of artistic freedom. Whether you’re a long-time fan or new to their legacy, this remaster is a must-listen, guaranteed to reignite your love for the rebellious spirit of Waylon Jennings and Jessi Colter.
Merle Haggard – Mama Tried (Live)

Merle Haggard – Mama Tried (Live) When you think of outlaw country, one name that stands head and shoulders above the rest is Merle Haggard. With a voice as rugged as the dusty highways he sang about, Haggard was the quintessential rebel, and his live performances were nothing short of legendary. One such performance that captures the raw, unfiltered spirit of outlaw country is “Mama Tried (Live).” This song is not just an anthem for the misunderstood misfits of the world but a testament to Haggard’s unparalleled storytelling prowess and musical genius. “Mama Tried” is an autobiographical masterpiece that delves into Haggard’s tumultuous past, weaving a narrative of regret, rebellion, and redemption. From the very first chord, the live rendition of “Mama Tried” grips you with its authenticity. You can almost feel the grit under your fingernails as Haggard’s voice, seasoned by years of hard living, guides you through a tale that resonates with anyone who’s ever strayed off the beaten path. It’s a song that tells the truth, and in the world of outlaw country, truth is the ultimate currency. Merle Haggard doesn’t just perform “Mama Tried”; he lives it right there on stage, baring his soul to the world. The live version is particularly special because it captures the energy of the moment—the crowd’s anticipation, the band’s tight-knit chemistry, and Haggard’s commanding presence. Every note and lyric is delivered with an intensity that can’t be replicated in a studio setting. It’s the kind of performance that makes you sit up and pay attention, proving that Haggard was not just a country singer but a true artist. In terms of musicality, “Mama Tried (Live)” is a tour de force. The instrumentation is impeccable, with each musician adding their own flair while staying true to the song’s roots. The guitar solos are crisp and evocative, the bass line provides a steady heartbeat, and the drums drive the rhythm forward with relentless energy. It’s a perfect storm of sound that elevates the song to new heights, making it an unforgettable listening experience. Final Verdict “Mama Tried (Live)” is more than just a song; it’s a slice of American music history that showcases Merle Haggard at his finest. The live performance is a raw, unapologetic homage to the outlaw spirit that defined Haggard’s career. If you’re a fan of country music, or just appreciate the art of storytelling, this is a performance you can’t afford to miss. Merle Haggard was a master of his craft, and “Mama Tried (Live)” is a testament to his enduring legacy. In the end, Merle’s mama might have tried, but thank goodness he didn’t listen, because the world would be a poorer place without his music.
Hank Williams jr – Whiskey Bent And Hell Bound

Hank Williams Jr. – Whiskey Bent And Hell Bound When it comes to outlaw country, few names resonate with the raw, unapologetic attitude quite like Hank Williams Jr.. His track “Whiskey Bent And Hell Bound” is not just a song—it’s an anthem for those who live life with a wild streak and a bottle in hand. Released in 1979, this track has stood the test of time as a bold declaration of the honky-tonk lifestyle. Hank Jr. doesn’t just sing about rebellion; he lives it, and “Whiskey Bent And Hell Bound” is the embodiment of that reckless abandon that both inspires and warns. From the first twang of the guitar, “Whiskey Bent And Hell Bound” pulls you into a world where the neon lights of a country bar reflect the turbulent life of a man unafraid to face his demons head-on. It’s a world where the whiskey flows as freely as the stories of heartache and hard living. Hank Williams Jr. doesn’t sugarcoat anything—his gritty voice and the song’s driving beat make you feel every ounce of the pain and pleasure that comes with living on the edge. The lyrics paint a vivid picture of a man caught between the allure of whiskey and the pull of love gone wrong. It’s a tale as old as time itself, yet Hank Jr. delivers it with a fresh intensity that makes you sit up and take notice. “Whiskey Bent And Hell Bound” is more than just music; it’s an experience, a journey through the highs and lows that define the outlaw spirit. It’s no wonder that Hank Williams Jr. has become a symbol of defiance in country music. With “Whiskey Bent And Hell Bound,” he captures the essence of rebellion not just through his lyrics, but through the sheer power of his performance. This song is a testament to his ability to connect with those who walk the fine line between self-destruction and survival. Final Verdict: “Whiskey Bent And Hell Bound” is a powerhouse of a song that perfectly encapsulates the outlaw country spirit. If you’re looking for music that speaks to the rebel in your soul, look no further than Hank Williams Jr.’s timeless anthem. This track is not just a song—it’s a way of life for those who dare to live on their own terms. Listen to it, feel it, and embrace the wild ride.
Steve Earle & The Dukes – Nowhere Road

Steve Earle & The Dukes – Nowhere Road When you embark on a journey down the “Nowhere Road,” you’re not just listening to a song by Steve Earle & The Dukes; you’re stepping into a world crafted with grit, determination, and a hint of rebellion. Steve Earle, with his raspy voice and raw storytelling, is a stalwart figure in outlaw country music, and “Nowhere Road” is a testament to his mastery of the genre. It’s a song that captures the essence of the open road and the freedom it represents, making it a quintessential anthem for those who live life on their own terms. Steve Earle & The Dukes bring an undeniable energy to “Nowhere Road” that resonates with anyone who’s ever felt the call of the road less traveled. The track is an exhilarating blend of country and rock, a bold statement of independence and defiance. Earle’s lyrics paint a vivid picture of living life without boundaries, perfectly complemented by The Dukes’ masterful instrumentation. Each guitar riff and drum beat is a reminder that sometimes the best journeys are those taken without a destination in mind. There’s something timeless about “Nowhere Road” that makes it a standout in Steve Earle & The Dukes’ repertoire. Perhaps it’s the way Earle’s storytelling bridges the gap between the rebellious spirit of the outlaw country movement and the universality of the human experience. This track doesn’t just speak to a time or a place; it speaks to a way of life. It’s about the pursuit of freedom, the embrace of uncertainty, and the joy found in simply getting lost along the way. The magic of “Nowhere Road” lies not only in its lyrics but also in the chemistry between Steve Earle & The Dukes. Their synergy is palpable, creating a sound that is both raw and polished, a perfect echo of the song’s theme. It’s a harmony that captivates the listener, pulling them into a narrative that feels both personal and universal. The track’s driving rhythm and catchy melodies make it a staple for anyone with a love for authentic, boundary-pushing music. Final Verdict In “Nowhere Road,” Steve Earle & The Dukes deliver a powerful anthem that stands the test of time. It’s a song that speaks to the heart of what it means to be an outlaw not just in the music world but in life itself. The track’s enduring appeal lies in its ability to resonate with anyone yearning for freedom and adventure. So, if you haven’t yet traveled down that “Nowhere Road,” now is the time to hit play and see where Steve Earle & The Dukes take you.
Kristina Murray – “After Midnight Special” Western AF

Kristina Murray | After Midnight Special | Western AF In the vast, rugged landscape of outlaw country music, there are few voices as piercing and authentic as Kristina Murray’s. Her track “After Midnight Special,” featured on Western AF, is a testament to the raw, unfettered emotion that defines this genre. Kristina Murray doesn’t just sing a song; she breathes life into it, weaving stories of heartache and resilience that echo through the dusty trails of the American West. “After Midnight Special” is more than just a song; it’s an anthem for the restless soul. Kristina Murray brings a rare honesty to her music. “After Midnight Special” captures the essence of late-night wanderings and the introspective moments that often accompany them. Her storytelling is vivid and poignant, drawing listeners into a world where the lines between right and wrong blur under the moonlit sky. It’s as if Kristina took a page from the greats like Townes Van Zandt or Emmylou Harris, yet she infuses her unique style and voice into each line, making the experience entirely her own. Western AF, known for spotlighting raw and unfiltered talent, provides the perfect platform for Kristina Murray’s “After Midnight Special.” The song stands out not only for its lyrical depth but also for its impeccable instrumentation. The twang of the guitar, the steady rhythm of the percussion, and Murray’s haunting vocals come together in a harmonious blend that feels both timeless and fresh. The track is a reminder that outlaw country is alive and well, thriving on the fringes of the mainstream, where authenticity reigns supreme. Listening to “After Midnight Special” is like taking a journey through the heartland of America, where every chord and lyric speaks to the trials and triumphs of everyday life. Kristina Murray has a way of making you feel every word she sings, pulling you into her world and making it impossible to leave without taking a piece of it with you. If you haven’t yet listened to Kristina Murray, this track is your gateway to discovering the depth and richness of her artistry. Final Verdict “After Midnight Special” by Kristina Murray is a masterclass in outlaw country. It’s bold, unyielding, and beautifully crafted. This is a song that demands attention, and once you listen, you’ll find it hard to forget. Kristina Murray’s contribution to Western AF is a beacon of what the genre represents: authenticity, storytelling, and unadulterated passion. Don’t just take my word for it—hit play and let Kristina Murray take you on a ride through the heart of American music.
Randy Rogers Band – Is This Thing Workin’ (feat. Parker McCollum)

Randy Rogers Band – Is This Thing Workin’ (feat. Parker McCollum) The Randy Rogers Band has done it again, folks! In an industry saturated with fleeting pop-country acts, Randy Rogers and his band remain a beacon of authenticity. Their latest release, “Is This Thing Workin’” featuring the ever-talented Parker McCollum, is a testament to their steadfast dedication to genuine, heartfelt music. The track dives deep into the rocky terrain of relationships, perfectly capturing the emotional turmoil with a blend of raw vocals and gripping lyrics. It’s not just a song; it’s an experience, one that resonates with anyone who’s ever questioned where they stand in love. From the first strum of the guitar, “Is This Thing Workin’” hooks you with its evocative melody. Randy Rogers’ voice, rough around the edges yet undeniably earnest, pairs seamlessly with Parker McCollum’s smooth, honeyed tones. It’s a collaboration that feels as natural as a summer breeze, yet as intense as a Texas thunderstorm. The music video itself is a visual feast, capturing the essence of the song with stunning visuals and a narrative that hits close to home. Randy Rogers Band has always been known for their ability to tell stories that resonate with the everyman, and this track is no exception. The lyrics are a poignant exploration of relationship dynamics, asking the gut-wrenching question: “Is this thing workin’?” It’s a question loaded with doubt and vulnerability, yet the delivery is nothing short of powerful. This is outlaw music at its finest, unafraid to bare its soul and challenge the status quo. And let’s not forget Parker McCollum, whose contribution to the track elevates it to new heights. His voice adds an extra layer of depth, creating a melodic tapestry that wraps you in its emotional embrace. It’s collaborations like these that remind us why music is such a vital form of expression. Final Verdict In a world where music often feels manufactured and disposable, “Is This Thing Workin’” by Randy Rogers Band featuring Parker McCollum is a breath of fresh air. It’s a track that connects on a personal level, reminding us of the power of storytelling through song. For fans of outlaw country and genuine musical artistry, this track is not just a must-listen; it’s a must-experience. So, is this thing workin’? You bet it is, and it’s working wonders.
Kris Kristofferson – “Sunday Mornin’ Comin’ Down” [Live from Austin, TX]

There are songs, and then there are songs—those rare anthems that resonate deeply with the soul, echoing the human experience in ways that are both poignant and profound. Kris Kristofferson’s “Sunday Mornin’ Comin’ Down” is one such masterpiece. Recorded live from the heart of Texas, in the vibrant musical hub of Austin, this legendary performance captures the raw, unfiltered essence of Kristofferson’s songwriting genius. With each strum of the guitar, every word sung with heartfelt conviction, Kristofferson takes his audience on a reflective journey through the haunting silence of a Sunday morning, the kind that cuts through the noise of modern life with startling clarity. From the very first note, Kris Kristofferson’s performance of “Sunday Mornin’ Comin’ Down” is a testament to the power of live music. There’s a kind of magic that happens on stage, especially when it’s in a place as iconic as Austin, TX. Kristofferson, with his gravelly voice and commanding presence, delivers the song with a sincerity that is both humbling and inspiring. The live version adds an extra layer of authenticity, as if each lyric is being penned in real-time, directly from the heart. “Sunday Mornin’ Comin’ Down” has long been heralded as a defining track in Kristofferson’s illustrious career. Its narrative of introspection and yearning is universally relatable, capturing the essence of what it means to seek meaning in the mundane. As Kristofferson sings of waking up on a Sunday, feeling the weight of the world pressing down, listeners are reminded of their own moments of quiet contemplation. It’s in these moments that Kristofferson’s songwriting truly shines, painting vivid images that linger long after the final chord fades. The Austin City Limits stage, known for hosting an array of legendary artists, provides the perfect backdrop for Kristofferson’s evocative performance. There’s an undeniable synergy between the setting and the song, enhancing the overall experience and drawing the audience into Kristofferson’s world. It’s a performance that not only showcases his talents as a musician but also solidifies his place as a storyteller of the highest caliber. Final Verdict In a world saturated with music, Kris Kristofferson’s “Sunday Mornin’ Comin’ Down” stands out as a beacon of authenticity and artistry. This live rendition, captured in the heart of Austin, TX, is nothing short of transcendent. For fans of outlaw country and those who appreciate the art of storytelling through song, this performance is a must-watch. It’s not just a song—it’s a piece of musical history that continues to resonate with listeners, proving that true artistry is timeless.
Charley Crockett – “All Around Cowboy”

Charley Crockett – “All Around Cowboy” (Official Visualizer) Charley Crockett takes on the outlaw classic **“All Around Cowboy”**, delivering a gritty cover that echoes Waylon Jennings’ spirit while rooted firmly in Crockett’s own raw baritone[1][2]. [outlaw_events] A New Tell-On-Life Rendition Opening with a steady drum and gritty guitar edge, Crockett spins lyrics with palpable wear—“He was an ‘All Around Cowboy’ back in ’89… since the whiskey and the women started winning, they rode him high and hard to the ground.” His performance feels like a dusty Texas tavern confession, a warning wrapped in a melody[1]. Where Classic Meets Contemporary This isn’t just a cover—it’s homage. Originally penned by Jack Lester Routh and Lendell Pollard and famously recorded by the likes of Johnny Cash and Waylon Jennings, Crockett’s version marries traditional outlaw grit with modern storytelling. Produced by Shooter Jennings, the arrangement stretches melancholic nostalgia over the classic Western motif[1][3]. Performance and Video Style The visualizer is minimal: close‑up shots of Crockett in low lighting, the focus pulled inward. It’s stark, real, and unfiltered—letting the voice do the talking. Audio captures each vocal nuance—grainy, lived‑in, authentic. Why It Hits Hard Crockett doesn’t just cover “All Around Cowboy”—he relives it. The song becomes a cautionary tale of how fame and fortune can ride a man down. This single stands out for its thematic weight and honesty, showing why Crockett’s music continues to resonate with both modern listeners and traditional outlaw fans alike[1][3]. Final Verdict “All Around Cowboy” proves that Charley Crockett knows how to walk the razor’s edge between tribute and transformation. It’s soulful, cinematic, and strikingly human—the kind of cover only someone with road-worn stories could pull off. References Whiskey Riff — noted Waylon Jennings influence and new single release. antiMusic — lyrical context and delivery description. Wikipedia — Charley Crockett background, genre notes.
Johnny Cash – “Folsom Prison Blues” (Live at Folsom State Prison, January 13, 1968)

Johnny Cash rewrote country history with **“Folsom Prison Blues”** live at Folsom Prison in 1968. This isn’t just a performance—it’s a manifesto from the man in black, recorded where it mattered[5][6]. That snare drum opening, that snap of Cash’s voice—it’s a bullet fired through the heart of conformity. “But I shot a man in Reno…”—never sounded more defiant. You feel the tension—every inmate listening, every guard silent. The audio’s sharp enough to hear footsteps on the yard, the camera’s grainy but alive—you’re there. This moment changed country music. Final Verdict: “Folsom Prison Blues” at Folsom Prison is the core of outlaw ethos—pain, place, truth, and defiance—all rolled into legendary live performance. Still hits harder than ever. Sources: YouTube – Johnny Cash “Folsom Prison Blues” Live at Folsom Prison 1968 — raw prison audio/video. Wikipedia – At Folsom Prison album info; documented recording date Jan 13, 1968; Wikipedia – Song history, live impact, and Cash’s Grammy win for live performance.
Lauren Watkins – “Marlboro Man”

Lauren Watkins drifts into nostalgia with **“Marlboro Man,”** released July 18 via Big Loud Records—a slow-burn ballad that taps into Western myth, smoky memories, and the hunt for a genuine cowboy in a noisy world[1][2]. The lyric video opens with soft guitar and Lauren’s warming Tennessee drawl—invoking cinematic sunsets and untamed grace. She sings of longing: “Did he finally tame the west? Ride off in that sunset… ’Cause right now I could use a Marlboro, Marlboro Man.” It’s a yearning not just for a person, but for a time and attitude that feels lost. Produced by Will Bundy and co-written with Jeremy Spillman and Natalie Hemby, “Marlboro Man” leans into pedal steel and banjo to amplify its western edge. Big Loud praised it as “clearing the smoke,” while Whiskey Riff called it “woozy, western, and pure country instrumentation” that stirs the soul[1][3]. The lyric video—minimal, moody, smoky text over still imagery—lets the mood breathe and the nostalgia sink in, with audio that’s warm, intimate, and evocative. Final Verdict: “Marlboro Man” feels like gravel under worn boots: familiar, rugged, and unforgettable. Lauren Watkins digs past polished gloss, reclaiming outlaw spirit and smoking-room storytelling—reminding us that the cowboy myth never really died, it just needed a new voice. Sources: Country Now — song context, co-writers, release date July 18. Big Loud — artist label press release, production and intent quotes. Whiskey Riff — instrumentation analysis and tone description. YouTube – Official lyric video — audio/video quality and mood context.