Shane Smith & The Saints – “We’ll Never Know” – LIVE from the Desert
Shane Smith & The Saints deliver a live performance that feels like a journey through the heart of nowhere.
John Rich “The Devil and the TVA”
John Rich’s “The Devil and the TVA” is a powerful and evocative song that showcases his exceptional talent for storytelling and musical composition.
Jon Wolfe – “Tequila Cowboys” (featuring Randy Rogers)
“Tequila Cowboys” by Jon Wolfe featuring Randy Rogers is a standout track that captures the spirit of country music with authenticity and charm.
LHM (Los Hermanos Mendoza) – “On this Mountain Top”
“On this Mountain Top” by Los Hermanos Mendoza is a captivating and emotional journey that showcases the band’s exceptional talent and creativity.
Margo Price – Love Me Like You Used To Do (feat. Tyler Childers)
A genuine slice of Americana, this duo delivers a heartfelt musical journey.
Zach Top – When You See Me (Official Audio)
Zach Top’s “When You See Me” is a captivating addition to his repertoire, cementing his status as a rising star in country music.
John Fogerty – “Someday Never Comes” (John’s Version)
A measured, moving rerecord that turns a classic into a confession. The melody is familiar; the meaning hits different. “Someday Never Comes (John’s Version)” doesn’t chase the past—it honors it by telling the story again, better.
Alison Brown & Steve Martin – Dear Time (feat. Jackson Browne with Jeff Hanna)
Banjo innovator Alison Brown and Steve Martin set a warm acoustic frame: interlocking banjo figures, brushed percussion, and guitar that shimmers like first light. Then the voices enter—Jackson Browne bringing that low, kind urgency, and Jeff Hanna (Nitty Gritty Dirt Band) adding a familiar, lived-in harmony.
Kings of Leon – We’re Onto Something (ft. Zach Bryan)
They’re not just onto something—they’ve found it. A collab that respects both artists’ lanes and opens a fresh one between them. File under: repeat-button danger.
Austin Snell – “Home Sweet Hell”
Heavy, hooky, and honest. “Home Sweet Hell” doesn’t reinvent the wheel; it speeds up and dares you to hang on. Another step that proves Austin Snell’s not just blasting the speakers—he’s building a lane.