Crobot – Obsidian: A Black-Honed Rock Rebirth
Obsidian, Crobot’s fifth LP, marks a powerful evolution in their sonic journey—an electrifying dive into gritty, riff-heavy territory. Recorded in Austin and self-produced, band members Brandon Yeagley and Chris Bishop lean into atmospheric metal while retaining their signature swagger.
The album opens with its title track, a crushing blast of dark-soaked riffs and Yeagley’s impassioned howl. It’s raw, propulsive, and instantly compelling—a true statement of intent. “Nothing” continues the momentum, sliding between anthemic choruses and relentless groove, punctuated by the line “We all bleed so we can feel alive,” a fitting outlaw mantra.
Then comes “Come Down,” the record’s heaviest moment, reminiscent of Alice In Chains in its smoky weight. The double-bass chugs, sonic layering, and bone-driven delivery prove Crobot are digging deeper into metallic territory without losing their accessibility. Tracks like “Ancient Druid Crown” and “Head of the Beast” showcase diverse riff textures, merging stoner rock with 90s grunge depth.
The stand-out “Happiness” flips the script—an unexpected closing power ballad that showcases true range: softer, yet heartfelt, guitar-led, and emotionally resonant. It highlights the growth Yeagley and Bishop bring as songwriters.
Production by Alberto De Icaza packs clarity and weight—nothing buried, everything heavy yet polished. Obsidian leaves listeners with tingling anticipation—this isn’t a rock record; it’s a statement of intent that’s atmospheric, muscular, and unapologetically rebellious.
Verdict: A late-night jam with riffs that roar, vocals that soar, and a surprise emotional payoff. Obsidian carves Crobot’s mark in 2025 rock—not retro, but forward-pushing, dark-hued, and defiantly real.